







Just watched this and thoroughly enjoyed it, the comedy in it is quality and right up my street, however I do think the film could have been a little shorter. Bruges looks like a well nice place as well, wouldn't mind going over there sometime! From the guy that done Six Shooter. Recommend watching it! Colin Farell plays a well good part.
I've just recently joined Roger Deakins website and I have been browsing the forum, if you sign up as a member you can also gain access to his lighting diagrams from films such as No Country for Old Men, Jarhead, Hudsucker Proxy and The Man Who Wasn't There, its definitely worth checking out if your into cinematography and lighting, he even replies to most people's questions in the forum which is very helpful.
Decided to do further research of cameras as i was wondering what the small attachment on the side of the camera was on the previous post's picture, turns out to be a follow focus.
Above is a picture of a redrockmicro system attached to what looks like a sony hvr-z1e, this allows 35mm lenses to be attached to dv and hd camcorders through the use of stepdown rings and lens adapters so long as they arent over 72mm. They can give greater lens control allowing for a more cinematic look to a piece of film. I've seen some videos on youtube of them in action and some of the shots look great and really do look quite like 35mm film. Something I would defintly consider using if only I had the cash!
Another film I watched a few weeks back was Kiss Kiss Bang Bang, I wasn't too keen to watch it at first but the first 5 mins got me engaged immediatly, It was totally unexpected and I love it when you watch a film that you don't know anything about at all. The title sequence was something I really liked and it reminded me of the late great Saul Bass. Robert Downey Jr is quality and Val Kilmer is great, he kind of has that Ari Gold thing from Entourage going on a little. The film is very funny and well directed. Quick Synopsis:
Recently I watched Dead Man's Shoes, a film by Shane Meadows, I've previously seen This is England and Room For Romeo Brass by Shane Meadows and this one didn't disappoint either. Quick synopsis:




Bit of a catch up

Above shows the crew testing out the equipment before they split off to hunt the alien. The shots are very simple medium shots, flicking between Dallas, Lambert and Brett, to Ripley, Ash and Parker. The lighting in the scene is quite dark casting shadows across there faces and giving the feeling of claustrophobia, the captain in this scene is acting very cool and collected and the crew are working together well, as they know they have a problem.
The next shot shows Ripley, Brett and Parker searching the corridors of the ship for the alien. As you can see from the screenshot the set is darkly lit with only the flash light providing light. The corridor looks complex and industrial, and because it is a long shot it invites the feeling that something is going to jump across the screen. The scene is long and drawn out creating tension as we move along.
Once Parker has fixed the lights Ripley picks up a signal on the motion tracker and they slowly begin walking towards the next room where the signal is coming from. The beeping noise from the machine is a fantastic device that creates a lot of tension.
This next shot is from the room that the signal is coming from, I quite like how Ridley Scott decided to keep the camera angles quite low down to give the feeling that the alien may be looking up towards them, it also gives a feeling of false security towards the characters as you know what they are dealing with is a lot more sinister than what they think. Instead of using a shot that follows them from behind entering the room he has decided to let the actors slowly walk in, as the door moves up it brings in rays of light that sillouhette the crew, they move very slowly and the scene is incredibly drawn out creating even more tension, it is a medium long shot and yet again invites the feeling that something could jump out, the set almost engulfs the characters with its low ceilings and minimal lighting giving a feeling of danger.
Searching the Room:
The next shots shows the crew searching the room where they finally isolate where source of the movement is coming from, it is a small box, as they open box there is a lot of tension created as to whats inside it; eventually we see a cat scream and then run off, Brett holding the netting up to capture it lets the cat go, not realizing that they will pick it up later on the tracking device. Parker and Ripley laugh and tell him to go and get the cat, I particularly like this scene as the audience know that Brett has made a mistake and he doesn't realize it until Parker and Ripley laugh at him in a degrading fashion, making him look stupid.


This next shot is quite possibly one of my favourite scenes of all time, the tension created in it is brilliant. The que as Brett walks into the big room is timed brilliantly as the audience then realize that he is going die. Once again the shots in this room are timed brilliantly and are long and drawn out to create tension.
I have decided to enter the Sasha remix competition advertised on beatport. The deadline is the 11th of February and the remix can be any genre you like. The winner wins a copy of Ableton 7 and will be interviewed by Beatportal, it will also feature on Sasha's emFire label, a label that currently only holds his solo work. I came across this Michel Gondry video after searching for Time Lapse in YouTube, this is something that really interests and inspires me, especially the Minilogue Hitchikers Choice video.
Id never really heard of Michel Gondry before, but his name rang a few bells and as usual one thing leads onto another with youtube and I ended up watching more of his videos, he does a lot of commercial work and music videos and has won numerous awards, defnitly worth looking into!